Bridging past and present: reconstruction dilemmas and institutional policies in two major revivals in Athens

An award-winning writer on ain’t knowing nothing about dance and getting more betterer with words

How being East European can feel within the family hierarchies of European dance criticism

When writing about a field you also work in, do you go under cover or do you break cover?

Artists, agents, venues, editors and writers tack different routes through the choppy waters of promotion, commentary and criticism