Covid and climate change have accelerated the creation of VR and performance hybrids, especially in Taiwan

Can we opt for rail tracks instead of flight trails? Springback editor Sanjoy Roy gave it a go – and shares some practical and life lessons from the experience

Italian choreographer Michele Di Stefano on curation, choreography and the possibility of a ‘new normal’ for dance

What is happening in experimental choreography in Moscow and Saint Petersburg?

Dance memes may be common, but few emerge from within the contemporary dance world. Enter Mr Felden Krisis…

Springback experiences of what works (or doesn’t) as online class participants 

As live arts migrate to the screen, Claire Lefèvre wonders whether a book might more fully register and reawaken the aura of live performance

Don’t just blame Covid for this crisis: restructuring the cultural field had already led to more artists and fewer resources

As Covid has brought screened dance and screendance into close proximity, four screendance curators look at the dynamics between them

Can performance reviews escape from the sentences of the courtroom or the classroom, and live a little more?

What does the viral video of a former dancer with Alzheimer’s disease suggest about the dancer, about disease, about us?

Anastasio Koukoutas spoke to some recent dance graduates to find out how they feel about their future, in the face of the coronavirus crisis

Alongside dance documentaries, the new LFF Expanded strand is taking steps into virtual dancing

How a public relay by Italian group kinkaleri turns into a fruitful question: have we become estranged from the world we created?

What do movement directors do? A new collection of interviews shines a light on an overlooked craft

A dialogue on content, context and tradition in urban dance at a corona-proof performance season in Amsterdam

Rather than longing for the past, some dance artists are using the pandemic crisis to imagine futures for performance 

The Covid crisis is shifting focus from the international to the regional – but festivals such as Pelzverkehr have already been there for years

A public performance ‘practice’ in Athens responded to the coronavirus crisis – but did ‘The Crater’ rethink or recreate its underlying conditions?

A rehearsal for a performance that never was: École des Sables’ version of Bausch’s Rite of Spring catches a moment in time

The mix of Covid, digital connectivity and our deep-felt human drive to dance together have reconfigured our dancing spaces

The offer, the reach and the uses of online dance classes are expanding during lockdown – and beyond?

The coronavirus lockdown induces strange visions of our absence. Dance is an art of presence. Can we reconcile their values for the sake of the future? 

Covid-19 is prising reality from normality. What thoughts and feelings arise from this fissure for our Springback network? 

Dimitris Papaioannou’s first site-specific work for an art gallery, at Collezione Maramotti

Berlin curator Léna Szirmay-Kalos on developing new formats for showcasing performance outside the theatre

Posting from the POST-DANCE-ING conference in Stockholm 2019, Anna Kozonina asks: how did it work, what did it do?

Orgies, utopias and joyful existence in Mette Ingvartsen’s Red Pieces

Look, then look again. Anastasio Koukoutas on altering visions in three contemporary dance pieces from Greece

Two contrasting choreographers present works on the Hungarian stage

On voices, parts, and playing parts in the many-limbed choreography of Sidi Larbi Cherkaoui 

Apathy as activism: what has become of political art and a politicised audience?

Caring but not careful – who knew an hour of jumping up and down would touch so many people in so many ways?

Springback’s Berlin Three discuss patterns and parentage in two very different pieces at the Tanz im August season 

A report from the first ‘international dance hackathon’, a joint venture between Liège, London and Lyon that is more than just a competition 

Springback’s Berlin Three discuss body politics and national politics at the Tanz im August season