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Working (in) statements is an experimental new book aiming to help navigate our artistic worklives
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Bridging past and present: reconstruction dilemmas and institutional policies in two major revivals in Athens
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The singular, yes, the plural, yes – but the strange? Not so much
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Thinking about the ‘co-’ in cooperation – and community, and conflict, and continuity
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An obliquely lit duet by Ieva Gaurilčikaitė-Sants and Krišjānis Sants that composes moves, maps emotions – and invites us in
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An encounter with a summer-long season about dance as a place to belong awakens personal thoughts about leaving dance, and returning to it
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Ideologies persist, ghosts return from the past – and bodies fall into step
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Caught in political crosshairs, the third Slovak Dance Platform continues to stand and to mobilise
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An award-winning writer on ain’t knowing nothing about dance and getting more betterer with words
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How being East European can feel within the family hierarchies of European dance criticism
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Principles and evolving practices in the work of Aleksandar Georgiev
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When writing about a field you also work in, do you go under cover or do you break cover?
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Artists, agents, venues, editors and writers tack different routes through the choppy waters of promotion, commentary and criticism
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Before a 7-week choreographic event in Athens, its initiator speaks about its ‘social choreography’
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Mingling the texts, subtexts and contexts of Candoco’s first full-length work by a disabled choreographer
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At Helsinki’s Side Step festival, Anna Kozonina asks: can dance performance be communal and transformative without a real public conversation?
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Content, context, structure and process merge organically in Harald Beharie’s Batty Bwoy and Undersang
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The 2024 New Italian Dance Platform offered both an outlook and a critique – as does our writer
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At Dresden Frankfurt Dance Company, Mandafounis is interested in ‘how focused you are in wanting to do something’
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A dance project that connects families to dance – and to each other
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The losses of community and continuity faced by Athens’ Duncan Dance Research Center are all too familiar stories for dance artists – but the struggle continues, for the sake of both past and future
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Could the phenomenal rise of AI-generated media make us value live performance all the more?
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A conversation with the creative team about how one performance has evolved as it opens out to visually impaired audiences
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A standout performance at Budapest’s Sissi Autumn Dance Week gets very meta…
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A European workshop on equity in dance prompts reflections on insiders, outsiders, in-betweeners and go-betweeners
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Talking about the big bang that opened STHLM festival in Stockholm – and about the act of talking about dance
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Local works paired with international ones on the stage of Dance Limerick’s What Next festival
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Betina Panagiotara travels from the southeast to the northwest of Europe to find out what peripheral dance practices look like
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Towards a diversity of diversities at CODA Oslo International Dance Festival
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Yasen Vasilev looks forwards and outwards from the main seminar at CODA 2022, on the theme of disability
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Ellie Harris of London’s Greenwich & Docklands International Festival on increasing challenges to international programming and co-operation
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Three works at Kunstenfestivaldesarts in Brussels take forms that articulate complexities of the world today
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Awakening connections between dance, art, industrialism and personal history
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Covid and climate change have accelerated the creation of VR and performance hybrids, especially in Taiwan
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The European Commission support for the production of this publication does not constitute an endorsement of the contents, which reflect the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
Front page video compiled from original films by Enya Belak and Alfredo Miralles. Site design: Sanjoy Roy
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