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Tanz im August talkabout #2: portrait of myself as my father (Nora Chipaumire), The Waves (Noé Soulier)
Springback’s Berlin Three discuss patterns and parentage in two very different pieces at the Tanz im August season
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Dansathon: an international dance hackathon
A report from the first ‘international dance hackathon’, a joint venture between Liège, London and Lyon that is more than just a competition
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Tanz im August talkabout #1: Inoah (Bruno Beltrão), R. OSA (Silvia Gribaudi)
Springback’s Berlin Three discuss body politics and national politics at the Tanz im August season
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Jefta van Dinther: Dark Field Analysis
Two men embark on an expedition inside the body and beyond the mind, in Jefta van Dinther’s psychedelic Dark Field Analysis
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Les Brigittines International Festival 2018
A many-layered thing: contrasting takeaways of our Springback writers at Les Brigittines, Brussels, reflect the genre-crossing styles of the festival itself
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Michikazu Matsune: All Together
Recollection, reflection and re-enactment make for a memorable evening in Michikazu Matsune’s new piece about people both present and absent
-
Little Miss Sunshine
For the win! Anna Kaszuba on why artlessness triumphs in the dance scene from ‘Little Miss Sunshine’
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Rosas: The Six Brandenburg Concertos
A workbook choreographic exercise builds to a surprisingly exhilarating finale in Anne Teresa De Keersmaeker’s new Six Brandenburg Concertos
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Shape of YouTube
Two widely viewed danceworks beg the questions: how does YouTube shape dance? And how do you shape YouTube?
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[8:tension] at ImPulsTanz Vienna 2018
Don’t expect the new to be comfortable: the [8:tension] platform for new choreography is provocative, plural, sometimes tedious – and often out of the comfort zone
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Jo Bannon: We Are F*cked
Doubt and disturbance come to a climax in Jo Bannon’s powerfully penetrating performance
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Beyond borders: Amit Lahav and Gecko
Gecko’s Amit Lahav talks to Daniel Pitt about straddling genres, insularity and internationalism in British theatre – and being pummelled with love
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Dirty Dancing
Alexandra Gray on her first time watching Dirty Dancing – and why Baby’s first time on the dancefloor stays with her
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Taneli Törmä: COVER – A symphonic poem in three movements
A merger of choreography and sound installation, Finnish artist Taneli Törmä’s COVER sensitively explores the kinaesthetic experience of sound.
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Rocío Molina: Grito Pelao
They say that Mother knows best, but does she know how to turn that into a performance?
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Danse Élargie 2018: big opportunities, bigger ambition
Beatboxing, b-boys, a beach and a balloon enlarge our concept of ‘dance’ in the fifth edition of the multi-disciplinary choreographic competition
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Potsdamer Tanztage, or: 3 × 3 = 8
When does 3 × 3 = 8? When our three reviewers go to three performances each at Berlin’s 2018 Potsdamer Tanztage festival
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Bausch rebooted: Veza Fernández’s Wenn Auge Mund Wird
Vienna-based Veza Fernández refracts Bauschian Tanztheater through a contemporary prism
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Pietro Marullo’s WRECK: survival of the fittest in the age of austerity?
Pietro Marullo’s ‘elastic performance’ is a staging of the struggle to survive in a precarious environment – and an example of it.
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Oona Doherty: Hope Hunt and the Ascension into Lazarus
A riveting portrait of the disadvantaged white male that meshes beauty with damnation
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Katerina Andreou: BSTRD
Can a solo dance piece create, on stage, that much needed room of one’s own?
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The original English text is the only definitive and citable source
Springback Magazine is authored by writers who have completed Springback Academy.
-
Tanz im August talkabout #2: portrait of myself as my father (Nora Chipaumire), The Waves (Noé Soulier)
Springback’s Berlin Three discuss patterns and parentage in two very different pieces at the Tanz im August season
-
Dansathon: an international dance hackathon
A report from the first ‘international dance hackathon’, a joint venture between Liège, London and Lyon that is more than just a competition
-
Tanz im August talkabout #1: Inoah (Bruno Beltrão), R. OSA (Silvia Gribaudi)
Springback’s Berlin Three discuss body politics and national politics at the Tanz im August season
-
Jefta van Dinther: Dark Field Analysis
Two men embark on an expedition inside the body and beyond the mind, in Jefta van Dinther’s psychedelic Dark Field Analysis
-
Les Brigittines International Festival 2018
A many-layered thing: contrasting takeaways of our Springback writers at Les Brigittines, Brussels, reflect the genre-crossing styles of the festival itself
-
Michikazu Matsune: All Together
Recollection, reflection and re-enactment make for a memorable evening in Michikazu Matsune’s new piece about people both present and absent
-
Little Miss Sunshine
For the win! Anna Kaszuba on why artlessness triumphs in the dance scene from ‘Little Miss Sunshine’
-
Rosas: The Six Brandenburg Concertos
A workbook choreographic exercise builds to a surprisingly exhilarating finale in Anne Teresa De Keersmaeker’s new Six Brandenburg Concertos
-
Shape of YouTube
Two widely viewed danceworks beg the questions: how does YouTube shape dance? And how do you shape YouTube?
-
[8:tension] at ImPulsTanz Vienna 2018
Don’t expect the new to be comfortable: the [8:tension] platform for new choreography is provocative, plural, sometimes tedious – and often out of the comfort zone
-
Jo Bannon: We Are F*cked
Doubt and disturbance come to a climax in Jo Bannon’s powerfully penetrating performance
-
Beyond borders: Amit Lahav and Gecko
Gecko’s Amit Lahav talks to Daniel Pitt about straddling genres, insularity and internationalism in British theatre – and being pummelled with love
-
Dirty Dancing
Alexandra Gray on her first time watching Dirty Dancing – and why Baby’s first time on the dancefloor stays with her
-
Taneli Törmä: COVER – A symphonic poem in three movements
A merger of choreography and sound installation, Finnish artist Taneli Törmä’s COVER sensitively explores the kinaesthetic experience of sound.
-
Rocío Molina: Grito Pelao
They say that Mother knows best, but does she know how to turn that into a performance?
-
Danse Élargie 2018: big opportunities, bigger ambition
Beatboxing, b-boys, a beach and a balloon enlarge our concept of ‘dance’ in the fifth edition of the multi-disciplinary choreographic competition
-
Potsdamer Tanztage, or: 3 × 3 = 8
When does 3 × 3 = 8? When our three reviewers go to three performances each at Berlin’s 2018 Potsdamer Tanztage festival
-
Bausch rebooted: Veza Fernández’s Wenn Auge Mund Wird
Vienna-based Veza Fernández refracts Bauschian Tanztheater through a contemporary prism
-
Pietro Marullo’s WRECK: survival of the fittest in the age of austerity?
Pietro Marullo’s ‘elastic performance’ is a staging of the struggle to survive in a precarious environment – and an example of it.
-
Oona Doherty: Hope Hunt and the Ascension into Lazarus
A riveting portrait of the disadvantaged white male that meshes beauty with damnation
-
Katerina Andreou: BSTRD
Can a solo dance piece create, on stage, that much needed room of one’s own?
![[8:tension] at ImPulsTanz Vienna 2018](https://springback.org/wp-content/uploads/2018/09/alexbaczynski_jenkins_usswerver_c_palaisdetokyo_atelierdiptik_01_darker.jpg)
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