-
Mauvais Sang
An intoxicating scene from Leos Carax’s Mauvais Sang embodies the headlong rush of youthful love and the mystery of its memory
-
Polyphony, playing and politics: the many voices of Sidi Larbi Cherkaoui
On voices, parts, and playing parts in the many-limbed choreography of Sidi Larbi Cherkaoui
-
Oktoberdans, Bergen: minorities dance for a majority audience
Two programmes at Scandinavia’s largest dance platform navigate the exclusivity of an ‘inclusive’ mindset
-
Towards the ‘ironic spectator’
Apathy as activism: what has become of political art and a politicised audience?
-
Ivo Dimchev: Som Faves
A maniacal movement manifesto upends audience expectations in a one-off performance at London’s Chisenhale Dance Space
-
Black and blue at Festival Les Plateaux
Choreographers Ana Pi and Calixto Neto take on ‘black dance’ on their own terms
-
Favourite jumper: Igor & Moreno, Idiot-Syncrasy
Caring but not careful – who knew an hour of jumping up and down would touch so many people in so many ways?
-
Down in one: the single-shot music video
On the appeal and the achievement of the one-shot music video
-
American Psycho
Is that a raincoat or are you just glad to see me? Róisín O’Brien on the choreography of a murder
-
Tanz im August talkabout #2: portrait of myself as my father (Nora Chipaumire), The Waves (Noé Soulier)
Springback’s Berlin Three discuss patterns and parentage in two very different pieces at the Tanz im August season
-
Dansathon: an international dance hackathon
A report from the first ‘international dance hackathon’, a joint venture between Liège, London and Lyon that is more than just a competition
-
Tanz im August talkabout #1: Inoah (Bruno Beltrão), R. OSA (Silvia Gribaudi)
Springback’s Berlin Three discuss body politics and national politics at the Tanz im August season
-
Jefta van Dinther: Dark Field Analysis
Two men embark on an expedition inside the body and beyond the mind, in Jefta van Dinther’s psychedelic Dark Field Analysis
-
Les Brigittines International Festival 2018
A many-layered thing: contrasting takeaways of our Springback writers at Les Brigittines, Brussels, reflect the genre-crossing styles of the festival itself
-
Michikazu Matsune: All Together
Recollection, reflection and re-enactment make for a memorable evening in Michikazu Matsune’s new piece about people both present and absent
-
Little Miss Sunshine
For the win! Anna Kaszuba on why artlessness triumphs in the dance scene from ‘Little Miss Sunshine’
-
Rosas: The Six Brandenburg Concertos
A workbook choreographic exercise builds to a surprisingly exhilarating finale in Anne Teresa De Keersmaeker’s new Six Brandenburg Concertos
-
Shape of YouTube
Two widely viewed danceworks beg the questions: how does YouTube shape dance? And how do you shape YouTube?
-
[8:tension] at ImPulsTanz Vienna 2018
Don’t expect the new to be comfortable: the [8:tension] platform for new choreography is provocative, plural, sometimes tedious – and often out of the comfort zone
-
Jo Bannon: We Are F*cked
Doubt and disturbance come to a climax in Jo Bannon’s powerfully penetrating performance
-
Beyond borders: Amit Lahav and Gecko
Gecko’s Amit Lahav talks to Daniel Pitt about straddling genres, insularity and internationalism in British theatre – and being pummelled with love
-
Dirty Dancing
Alexandra Gray on her first time watching Dirty Dancing – and why Baby’s first time on the dancefloor stays with her
-
Taneli Törmä: COVER – A symphonic poem in three movements
A merger of choreography and sound installation, Finnish artist Taneli Törmä’s COVER sensitively explores the kinaesthetic experience of sound.
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The original English text is the only definitive and citable source
Springback Magazine is authored by writers who have completed Springback Academy.
-
Mauvais Sang
An intoxicating scene from Leos Carax’s Mauvais Sang embodies the headlong rush of youthful love and the mystery of its memory
-
Polyphony, playing and politics: the many voices of Sidi Larbi Cherkaoui
On voices, parts, and playing parts in the many-limbed choreography of Sidi Larbi Cherkaoui
-
Oktoberdans, Bergen: minorities dance for a majority audience
Two programmes at Scandinavia’s largest dance platform navigate the exclusivity of an ‘inclusive’ mindset
-
Towards the ‘ironic spectator’
Apathy as activism: what has become of political art and a politicised audience?
-
Ivo Dimchev: Som Faves
A maniacal movement manifesto upends audience expectations in a one-off performance at London’s Chisenhale Dance Space
-
Black and blue at Festival Les Plateaux
Choreographers Ana Pi and Calixto Neto take on ‘black dance’ on their own terms
-
Favourite jumper: Igor & Moreno, Idiot-Syncrasy
Caring but not careful – who knew an hour of jumping up and down would touch so many people in so many ways?
-
Down in one: the single-shot music video
On the appeal and the achievement of the one-shot music video
-
American Psycho
Is that a raincoat or are you just glad to see me? Róisín O’Brien on the choreography of a murder
-
Tanz im August talkabout #2: portrait of myself as my father (Nora Chipaumire), The Waves (Noé Soulier)
Springback’s Berlin Three discuss patterns and parentage in two very different pieces at the Tanz im August season
-
Dansathon: an international dance hackathon
A report from the first ‘international dance hackathon’, a joint venture between Liège, London and Lyon that is more than just a competition
-
Tanz im August talkabout #1: Inoah (Bruno Beltrão), R. OSA (Silvia Gribaudi)
Springback’s Berlin Three discuss body politics and national politics at the Tanz im August season
-
Jefta van Dinther: Dark Field Analysis
Two men embark on an expedition inside the body and beyond the mind, in Jefta van Dinther’s psychedelic Dark Field Analysis
-
Les Brigittines International Festival 2018
A many-layered thing: contrasting takeaways of our Springback writers at Les Brigittines, Brussels, reflect the genre-crossing styles of the festival itself
-
Michikazu Matsune: All Together
Recollection, reflection and re-enactment make for a memorable evening in Michikazu Matsune’s new piece about people both present and absent
-
Little Miss Sunshine
For the win! Anna Kaszuba on why artlessness triumphs in the dance scene from ‘Little Miss Sunshine’
-
Rosas: The Six Brandenburg Concertos
A workbook choreographic exercise builds to a surprisingly exhilarating finale in Anne Teresa De Keersmaeker’s new Six Brandenburg Concertos
-
Shape of YouTube
Two widely viewed danceworks beg the questions: how does YouTube shape dance? And how do you shape YouTube?
-
[8:tension] at ImPulsTanz Vienna 2018
Don’t expect the new to be comfortable: the [8:tension] platform for new choreography is provocative, plural, sometimes tedious – and often out of the comfort zone
-
Jo Bannon: We Are F*cked
Doubt and disturbance come to a climax in Jo Bannon’s powerfully penetrating performance
-
Beyond borders: Amit Lahav and Gecko
Gecko’s Amit Lahav talks to Daniel Pitt about straddling genres, insularity and internationalism in British theatre – and being pummelled with love
-
Dirty Dancing
Alexandra Gray on her first time watching Dirty Dancing – and why Baby’s first time on the dancefloor stays with her
-
Taneli Törmä: COVER – A symphonic poem in three movements
A merger of choreography and sound installation, Finnish artist Taneli Törmä’s COVER sensitively explores the kinaesthetic experience of sound.
![[8:tension] at ImPulsTanz Vienna 2018](https://springback.org/wp-content/uploads/2018/09/alexbaczynski_jenkins_usswerver_c_palaisdetokyo_atelierdiptik_01_darker.jpg)
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