Performances at the 49th Santarcangelo Festival stir our sense of being and embodiment

A choreographic variety of women’s work at ImPulsTanz Vienna

The old made anew: three contemporary choreographers reworking folkloric heritage at Sismògraf Festival

Julidans NEXT offers new opportunities for both artists and audiences

The 12th Antistatic Festival called a #VoteForDance – but how did the performances poll with our reviewer?

Name it, hashtag it, experience it… The SPRING festival in Utrecht dives into dance, performance, installation, god, politics, gender – and the future

At the intersections between the personal and the panoramic – a new generation of dance artists at the Rakete Festival, Vienna

Camgirls and drag queens, chatrooms and cabaret: two surprising pieces from a festival of feminist and queer performance

Up close and personal with a lot of orifices at Vienna’s 30th Imagetanz Festival

Using language and losing language: Theatre Re, Gecko and Peeping Tom at the 2019 London International Mime Festival

The 2018 Taiwan Dance Platform was ‘made in Asia’, but even more international in scope 

Aberdeen’s DanceLive festival combines a productive dance platform and a conscious aim to connect with non-dance audiences 

Two programmes at Scandinavia’s largest dance platform navigate the exclusivity of an ‘inclusive’ mindset

Choreographers Ana Pi and Calixto Neto take on ‘black dance’ on their own terms

A many-layered thing: contrasting takeaways of our Springback writers at Les Brigittines, Brussels, reflect the genre-crossing styles of the festival itself

Don’t expect the new to be comfortable: the [8:tension] platform for new choreography is provocative, plural, sometimes tedious – and often out of the comfort zone

Beatboxing, b-boys, a beach and a balloon enlarge our concept of ‘dance’ in the fifth edition of the multi-disciplinary choreographic competition