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Magazine items
- ‘For a New Beauty’: Gender Bender festival 2024
- ‘Get Back to Dance’ – necessity or nostalgia?
- ‘Prison is a system that has to be shaken off’ Catarina Câmara on CORPOEMCADEIA
- ‘What about 50 Over 50?’ Elixir Festival at Sadler’s Wells
- ‘What are these peripheral practices?’
- [8:tension] at ImPulsTanz Vienna 2018
- A bird’s-eye view at Kunstenfestivaldesarts 2023
- A Girl Walks Home Alone at Night
- A necessary transformation: the performing arts and VR in Taiwan
- A peek into Bucharest’s Dance. Context. Showcase 2025
- A stage in the gallery: Dimitris Papaioannou’s Sisyphus/Trans/Form
- A virus in the system
- A week at ImPulsTanz Vienna
- Act of Love
- Adam Linder + Marco da Silva Ferreira at Ballet de Lorraine
- Adrien M & Claire B: Faire corps
- Adrienn Hód: Soft spot
- Agnietė Lisičkinaitė: every protest starts with the body
- Albert Quesada & Zoltán Vakulya: OneTwoThreeOneTwo
- Alice Ripoll: Lavagem
- Aligned bodies, intertwined lives: the Baltic vortex of ‘IevaKrish’
- Already there? An interview with Ginevra Panzetti & Enrico Ticconi
- American Psycho
- An angle on Czech Dance Platform 2023
- An outsider inside
- Ann Van den Broek: Creating Joy
- Anne Teresa De Keersmaeker & Radouan Mriziga: 3ird5@w9rk
- Another angle on Czech Dance Platform 2023
- Another Round
- Are you in? Queer affirmations at What You See 2025
- Aristide Rontini / Skånes Dansteater: May Fall
- Arkadi Zaides: TALOS
- Arno Ferrera & Gilles Polet: ARMOUR
- Artdanthé: funny old woes
- At work: Bára Sigfúsdóttir
- At work: Jesús Rubio Gamo
- At work: Marie Cantenys
- At work: Meytal Blanaru
- Athens Epidaurus Festival: a selection of styles by Greek dance artists
- Avignon: where sweating, schmoozing and cringe collide
- Bad apples, sour grapes and sufficient creativity: dance at Athens Epidaurus Festival
- Baltic Dance Platform 2022: from intimate to social
- Baltic Takeover 2025: Necessity, not trends
- Baro d’evel: Là
- Bausch rebooted: Veza Fernández’s Wenn Auge Mund Wird
- Being together apart: the hollowing of the post-quarantine public
- Between church walls and club beats: ConTempo 2025 in Lithuania
- Beyond borders: Amit Lahav and Gecko
- Beyond the visual: Johanna Hedva’s Minerva the Miscarriage of the Brain
- Black and blue at Festival Les Plateaux
- Blow-Up
- Bodies in return: Panzetti & Ticconi’s All’Arme
- Bojana Robinson: Machine
- Brat autumn: Iridescent Festival Bucharest 2024
- Brazil in Holland, 2024
- Breaking cover
- Building on dance & architecture: Lugano Dance Project 2024
- Call Me By Your Name
- Catching dreams suspended in time
- Caught in the act of seeing
- Cecilia Bengolea: La Danse des Éléments
- Certamen Coreográfico de Madrid: a chronicle from within
- Cherish Menzo: Darkmatter
- Chiara Bersani/corpoceleste: Sottobosco
- Christos Papadopoulos: Mellowing
- Christos Papadopoulos: My Fierce Ignorant Step
- Christos Papadopoulos’s Opus: in search of the dialectics of music and movement
- Circulating artists, defunded infrastructures
- Claire Cunningham: Songs of the Wayfarer
- Club Guy&Roni / Australasian Dance Collective: Bad Nature
- CODA 2022: movement research for every body?
- CODA 2022: staging diversities
- CODA Festival Oslo: dance connects us
- CoisCéim Dance Theatre: Go to Blazes
- Cristina Kristal Rizzo & Diana Anselmo: Monumentum DA
- Crossing lines / crossing currents
- Crystal Pite/Jonathon Young: Revisor
- Cyprus Choreography Platform 2023
- Czech Dance Platform 2021
- Czech Dance Platform 2022: two views
- Dance classes through the screen
- Dance Days Chania 2023:
The Conscious Body - Dance works as mutable archives
- Dance Your Way Home
- DanceLive Aberdeen, Scotland
- Dancing (in the) City
- Dancing in the schoolyard
- Dancing virtually into the London Film Festival
- Daniel Linehan: sspeciess
- Dansathon: an international dance hackathon
- Danse Élargie 2018: big opportunities, bigger ambition
- Danse Élargie 2024
- Danse Élargie: almost ridding dance of its borders
- Danser Brut – outsider dance
- Dead Poets Society
- Dimitris Mytilinaios: Repair
- Dirty Dancing
- Dogtooth
- Dominio Pubblico: Senza Titolo Festival 2022
- Domokos Kovács & Petra Nagy: Do not feed the polar bears
- Don’t Worry Darling
- Down in one: the single-shot music video
- Dreams
- Earth moves: contemporary roots at Sismògraf festival
- Echoes, Ode to Silence
- Edinburgh by numbers
- Edinburgh Festivals Diary, August 2021
- Edinburgh Fringe 2023: meshing interest with attendance
- Eleonora Siarava: Blue Beyond
- Elle Sofe Sara: Vástádus eana – The answer is land
- Embodied literature: an interview with Ben Duke
- Emilia Pérez
- End on a high: Dansa València 2023
- Equilibrio Festival 2024, Rome
- Eternal Flame: Romaeuropa 2025
- Euripides Laskaridis: Lapis Lazuli
- Europe, seen from its East
- Everybody Festival: inclusion as genuine shift or selling point?
- Ex Machina
- Exploring the Tanz im August archipelago
- Eyes on Tanz im August 2023
- Favourite jumper: Igor & Moreno, Idiot-Syncrasy
- Faye Driscoll: Guided Choreography for the Living and the Dead
- Festival d’Automne 2023 gets going
- Festival d’Automne 2023 part 2: The more the merrier
- Festival Faits d’hiver 2025
- Festival Faits d’hiver 2026
- Florentina Holzinger: Apollon
- Florentina Holzinger: Ophelia’s Got Talent
- Florentina Holzinger: TANZ, a sylphic reverie in stunts
- Forward steps
- Fringe cuts from Edinburgh 2019
- From company dancer to co-director to CODA: an interview with Stine Nilsen
- From teenage girls’ songs to medieval saints’ torture at Moving in November, Helsinki
- Fuori Programma Rome: focus on Israel
- Gaspar Noé: Climax
- Génération A Festival: Double Bill
- Georgia Tegou & Michalis Theophanous: Reverie
- Getting cosy at Amsterdam Fringe Festival
- Giri/Haji
- Gisèle Vienne: Crowd
- Going forward to normal
- Guest episode: dis[]tanz podcast
- Gunilla Heilborn: The Wonderful and The Ordinary
- Gyula Cserepes: Ultra White
- Hack me tender: Mette Ingvartsen’s Red Pieces
- Hamid Ben Mahi: Chronic(s) 2
- Happy Together
- Harald Beharie: the present body
- Hats and maps: a collective juggling with its own precarity
- Helsinki’s Moving in November: pasts, pleasures, projections
- Highlights from Roma Europa Festival 2024
- Hodworks & Unusual Symptoms: Coexist
- Hodworks: Sunday
- Home and away at the Venice Dance Biennale
- How to like dance
- How to own (a) theatre
- HUMANHOOD: ∞ {Infinite}
- Humans on the fringe
- Hungry Sharks: Destination FCKD
- I is for International: On programming dance from abroad
- I’m Thinking of Ending Things
- Ice Hot Nordic Dance: time to credit dance and controversy?
- Ici Commence La Mer
- Igor × Moreno: Karrasekare
- Igor × Moreno’s Petricore for Zagreb Dance Company
- Imagetanz 2019
- ImPulsTanz 2023: past presence
- ImPulsTanz 2024 #1: dancers that touch you
- ImPulsTanz 2024 #2: shock and awe
- ImPulsTanz Vienna: one-sentence reviews
- In defence of continuity: the Duncan Dance Research Center
- In front, around and behind Aleksandar Georgiev’s Fantastic Futures
- Inês Pedruco: ShortCut
- Ingrid Berger Myhre: Spelling Spectacle
- International Video Dance Festival of Burgundy
- Interview: Mette Ingvartsen on The Dancing Public
- Inverting a paradigm: Sati Veyrunes takes the wheel
- Ioannis Mandafounis: Taking improvisation centre stage
- Is Marikiscrycrycry… a goner?
- Isabelle Schad: Pieces and Elements / FUR
- Isabelle Schad: practice, continuity and infinite limbs
- Ivo Dimchev: In Hell with Jesus
- Ivo Dimchev: Som Faves
- Jam-packed: a day at Les Hivernales’ On (y) danse aussi l’été !
- Jan Martens: any attempt will end in crushed bodies and shattered bones
- Jan Martens: Passing the Bechdel Test
- Jana Jacuka: Ha
- Jann Gallois: Samsara
- Jasna Vinovrški: Lady Justice
- Jefta van Dinther: Dark Field Analysis
- Jefta van Dinther: The Quiet
- Jefta van Dinther: Unearth
- Jesús Rubio Gamo & Kukai Dantza: Txalaparta
- Jo Bannon: We Are F*cked
- Joe Wright’s Anna Karenina
- Joker
- Julidans NEXT, Amsterdam: performers steal the show
- Kalamata International Dance Festival 2022
- Katerina Andreou: BSTRD
- KDV Dance Ensemble: Las Casas Invisibles
- Keeping on track: a European culture trip by train
- Kentaro Kujirai: U-BU-SU-NA
- kinkaleri: is it my world?
- Kung Fu Hustle
- Kunstenfestivaldesarts 2025: beyond human egocentricity
- La Grande Bellezza
- La Joie de Vivre
- La Ribot/Dançando com a Diferença: Happy Island
- Le temps d’aimer la danse – Biarritz 2024
- Léa Tirabasso: Starving Dingoes
- LEE\VAKULYA: Burnt [the eternal long now]
- Lenio Kaklea: Les Oiseaux
- Les Brigittines International Festival 2018
- Lia Rodrigues, body and soul
- Life sentences: on reviewing and renewing
- Ligia Lewis: Minor Matter
- Little Miss Sunshine
- Live and layered: London International Mime Festival 2022
- Local in Limerick
- Local leads the way: Pelzverkehr Festival, Austria
- London International Mime Festival 2019
- London International Screendance Festival 2019
- Looking for the essence of the New Italian Dance platform
- Lost Dog: A Tale of Two Cities
- Love, Death & Robots
- Luca Guadagnino’s Suspiria
- Lugano Dance Project 2022
- Maija Hirvanen: Mesh
- Making Life in the Ruins – International Performance Festival
- Marco da Silva Ferreira & João Pais Filipe: Terra Cobre
- Marco da Silva Ferreira on Carcaça
- Marcos Morau: Sonoma, Surrealism and me
- Marianna Henriksson & Anna Mustonen: Eros
- Marion Darova & Martina Apostolova: WO MAN
- Mårten Spångberg: 46
- Material Bodies
- Mauvais Sang
- Mei Chen, Yannis Brissot: Very Tiny Little Drop of Wax
- Mette Ingvartsen: 21 pornographies
- Mette Ingvartsen: RUSH
- Mette Ingvartsen: The Dancing Public
- Meytal Blanaru / Scottish Dance Theatre: Ray
- Michael Kliën on Parliament, and choreography embedded in social life
- Michikazu Matsune: All Together
- Mime Time
- MIRfestival 2026 – in orbit around Athens
- Mirko Guido: TECTONIC
- Mohamed Toukabri: The Power (of) the Fragile
- Mònica Pagès watches Likes by Nùria Guiu
- Montpellier Danse 2024
- Moonrise Kingdom
- Moritz Ostruschnjak: NON+ULTRAS
- Moritz Ostruschnjak: Trailer Park
- Moving audiences: the Montag Modus event series
- Moving Balkans 2025: Bodies, boundaries, becoming
- Moving Body Varna: on and off screen
- Moving Colors youth dance festival
- Moving on: MimeLondon 2025
- Mulholland Drive
- Nach: Cellule
- Nadia Beugré: L’Homme rare
- New Choreographers Festival Athens
- New directions home? ImPulsTanz 2019
- Nextfest Budapest 2025
- Nicole Beutler Projects: 8: Metamorphoses
- NID – New Italian Dance Platform 2023
- Nitsan Margaliot: Foresigns
- Noé Soulier, Thea Djordjadze, Karl Naegelen: First Memory
- ODDities at Onassis Dance Days 2025
- Oktoberdans, Bergen: minorities dance for a majority audience
- On and off the platform: dunaPart5, Hungary
- On international performing arts co-operation
- Onassis Dance Days 2024: The echo of bodies
- Onassis Dance Days 2026
- Oona Doherty: Hard to be Soft – A Belfast Prayer
- Oona Doherty: Hope Hunt and the Ascension into Lazarus
- Oona through the ages
- Orbita – Rome’s contemporary dance season
- Out of the blues
- Pal Frenák, W_all / Rita Góbi, Snapdragons
- Parcours Danse 2023, Montreal
- Paths through ImPulsTanz, part 1
- Paths through ImPulsTanz, part 2
- Peeping Tom: The Missing Door, The Lost Room
- Pere Faura: Rèquiem Nocturn
- Permanent Vacation
- Pietro Marullo’s WRECK: survival of the fittest in the age of austerity?
- Place of freedom? B.Motion 2022
- Polyphony, playing and politics: the many voices of Sidi Larbi Cherkaoui
- POOL International Dance Film Festival 2020
- Poor Things
- Postdancing in the dark
- Potsdamer Tanztage, or: 3 × 3 = 8
- Present futures
- Presente Futuro 2022
- Protein Dance: En Route
- Protein synthesis – an epic on the cellular level
- PT19: On being, enduring and becoming the performing body
- Purr, growl, rumble: Dansa València 2024
- Queer Darlings 2019, Berlin
- Queer Darlings 2023
- Radical empathy and real engagement: Take Me Somewhere 2019
- Rakete Festival 2019: from Mama to Mother Earth
- Richard Mascherin: Caer, Caer, Caer
- Rocío Molina: Grito Pelao
- Rosas: The Six Brandenburg Concertos
- Rose and Bloom international dance prizes
- SAAL Biennaal Estonia: not best-of, but perhaps something better
- Salvo Lombardo: Birdsong
- Salvo Lombardo/Chiasma: Sport
- Samir Kennedy: The Aching
- Sands of time: capturing Bausch’s Rite of Spring before lockdown
- Schweigman& and DOX: Eros
- Screening times
- Shape of YouTube
- Shifting ground: Tanz im August 2025
- Short Theatre 2023: Ante-mortem and posthumous choreographies
- Side Step Festival Helsinki
- Side Step Helsinki: norm-breaking – outsourced?
- Side Step, Helsinki: dance as reconciliation?
- Signposts, guiding lights and gentle protests: Candoco’s Over and Over (and over again)
- Silvia Gribaudi: Monjour
- Silvia Gribaudi: Suspended Chorus
- Simona Bertozzi: Onde
- Simone Mousset: The Passion of Andrea 2
- Six of their sex: female dancemakers at ImPulsTanz 2019
- Skype, crutches and pleasurable glitches
- Slovak Dance Platform 2025 – in context
- Slow and gentle: Santarcangelo Festival 2019
- Slow motions through climates of change
- Snapshots from Tanec Praha 2024
- Snips from the 2024 Edinburgh Fringe
- Soa Ratsifandrihana: g r oo v e
- Sofia Mavragani: Afterwords
- Solène Weinachter – dancing before and after all
- Song and birdsong dance at Festival d’Automne Paris
- SPRING Festival Utrecht: ‘Seen live, with love, Jordi’
- SPRING Utrecht 2019: ‘In many ways, the future is already here’
- STHLM DANS: Curating outside the box
- Strange Russian dances
- Strange times
- Swiss Dance Days 2022
- Swiss Dance Days 2024
- Swiss Dance Days 2026: an ecosystem on display
- Szerpentin Dance Film Festival
- Taiwan Dance Platform 2018
- Taiwan Festival London 2024
- Talkabout: Urban dance languages at Peepshow Palace
- Tanec Praha 2025
- Taneli Törmä: COVER – A symphonic poem in three movements
- Tanz im August talkabout #1: Inoah (Bruno Beltrão), R. OSA (Silvia Gribaudi)
- Tanz im August talkabout #2: portrait of myself as my father (Nora Chipaumire), The Waves (Noé Soulier)
- Tanztage 2026: Birthday Edition
- Tanztage Berlin 2022: Hard times require hard dancing
- Tanztage Berlin 2024: rites of hope and grief
- Tanzwerkstatt Europa 2022: gestures from the zeitgeist
- Teresa Vittucci, Michael Turinsky, Claire Vivianne Sobottke: We Bodies
- The Continuous Network: capillary action of dance into galleries
- The Dan Daw Show
- The Favourite
- The leap into the abyss and the need to heal again
- The Life of Chuck
- The memeing of dance
- The naked stage of Sanna Kekäläinen
- The Non-Fungible Body
- The rise of the online dance class in lockdown
- The splatter dance of Smac McCreanor
- The wall and the circle
- The wilderness within
- Thessaloniki Cinedance International 2020
- Thessaloniki Fringe Festival 2025
- Three choreographers from Onassis Stegi at B.Motion 2024
- Timothy and the Things: Hunting (Vadászat)
- To sit or not to sit? The question of movement direction
- Topographies of bodies and spaces: CODA Oslo 2025
- Towards the ‘ironic spectator’
- Transforme Festival: Disturbing, but make it gentle
- Trash aesthetic: Meet The Symptoms
- Trespass to access: opening up for visual impairment
- Turning with the times: Montpellier Danse 2025
- Ultima Vez: Hands do not touch your precious Me
- Under Dance Umbrella 2023
- Unknown waters: Berlin’s Tanz im August after Covid
- Us
- Vero Cendoya: La Partida
- Via Katlehong Dance: Via Injabulo
- Viewpoint: A case for purely live performances
- Visible and erased: the case of the ‘Alzheimer’s ballerina’
- Vote for dance: Antistatic Festival 2019, Bulgaria
- Wanjiru Kamuyu, An Immigrant’s Story; Smaïl Kanouté, Never Twenty One
- We are family-friendly… get up everybody and dance
- What makes a performance contemporary?
- What makes us a network?
- www DANCE: partying from IRL to URL
- Xenia Koghilaki finds solidarity within brutality
- Yukiko Masui / Léa Tirabasso
- Zsófia Tamara Vadas, Csaba Molnár, Imre Vass: Game Changer
Academy items
- ‘A Vision of the World’
- “Bless the Sound that Saved a Witch like me” – Benjamin Kahn
- “Dance is art, not information”
- “Grrr, I’m dancing” Universe of a dancing bear – Mathis Kleinschnittger
- (Ine)quality and dance criticism: but what about the dance?
- 1℃ – Q Dance Company
- 10 Miniballetti – ColletivO CineticO
- 11 3 8 7 – Trevoga
- 30 Cecil Street – Dan Canham
- 700 applicants, 243 attendees, 21 dances, 3 days, 1 festival
- A BEGINNING #16161D – Aurora Bauzà & Pere Jou
- A letter to future Springback generations
- A moment – Sabine Molenaar
- A Silver Knife – Goblin Party
- A Solo in the Spotlights – Vittorio Pagani/LARVÆ
- A word on dance ecologies
- AFTER ALL – Solène Weinachter
- Ahora que no somos demasiado viejos todavía – Jesús Rubio Gamo
- AL13FB – Fernando Belfiore
- Alien Express – Žigan Krajnčan and Gašper Kunšek
- All dressed up with nowhere to go – Giorgia Nardin
- AllThatICanBe – Julia Blokhina, Ksenia Burmistrova, Liubov Perova
- Altrove – Alessandro Schiattarella
- Am I the bad guy? Dance criticism through the lens of classic horror
- Andrea Rizzo: ‘In a philosophical and existential way, you are a dancer forever’
- As Long As Holding Hands – Tereza Ondrová & Peter Šavel
- At the risk of repeating myself
- Atlas da boca – Gaya de Medeiros
- AU – CUBe – Christian Ubl & Cie. Ornithorynque
- Aurora – Meytal Blanaru
- Babae – Joy Alpuerto Ritter
- babes – gergő d. farkas
- BAKKHEIA – dancing on the edge – BOD.Y
- Bambi-eyed in Pilsen
- BEAT ‘I just wish to feel you’ – Jenna Jalonen / Jonas Garrido Verweft
- Because I Can – Eva Recacha
- Because I can, doesn’t necessarily mean…
- Beings – Wang Yeu-Kwn
- Believe – Structure-couple (Lotus Eddé Khouri & Christophe Macé)
- Birdboy – Emma Martin/United Fall
- Black – Oulouy
- Blanks – Ingrid Berger Myhre
- Blue Carousel – Bysheim & Patry
- Body Monologue – Anastasia Valsamaki
- BOKKO – the ultimate fusion – Karel Van Laere & Vanja Rukavina – Karel Van Laere & Vanja Rukavina
- Bolero – Jesús Rubio Gamo
- Born by the sea – Fran Díaz
- Brother – Marco da Silva Ferreira
- BSTRD – Katerina Andreou
- Cabraqimera – Catarina Miranda
- Café Müller – Dominik Więcek
- Call Alice – Temporary Collective / Tereza Ondrová
- Can contemporary dance change the world?
- Can the puppet dance?
- Caring for the Swan: A precarious moment for dancing
- Cellule – Anne-Marie Van (Nach)
- Chivalry is Dead – Alexander Deutinger & Alexander Gottfarb
- CHOREOMANIACS – Simona Deaconescu
- Cinderella’s – Alexandros Stavropoulos
- Classical Beauty – LOCATION X / Taneli Törmä
- Cold Hawaii – Sigrid Stigsdatter Mathiassen
- Collective Loss of Memory – DOT504/RootlessRoot
- Come on in, the show has already begun…
- Comme un symbole (forme courte) – Cie Al-Fa / Alexandre Fandard
- Conditions of Being a Mortal, Movements I & III – Hódworks
- Context is king
- Counterbody – Tangaj Dance Collective
- Dance across Europe: Critical issues on the geography of the body
- Dance and Other Drugs (or How to Stop Time)
- Dance gave more of everything
- Dance in VR: an introvert’s hideout underneath the goggles
- Dances Like a Bomb – Junk Ensemble
- Dancing in tumultuous times
- Dancing with text
- Dans, for Satan – Hilde Ingeborg Sandvold
- Death. Exercises and Variations – Renata Piotrowska-Auffret
- Dédale – Jordan Deschamps
- Deep Expectations, or The Pleasure Is All Mine
- Deep Fake – Gergő D. Farkas
- Depolarising the body
- Des gestes blancs – Sylvain Bouillet and Lucien Reynes – NAÏF Production
- Displacement – Mithkal Alzghar
- Diverse or drab?
- Do dancers write differently about performances than non-dancers?
- Do you see what I am talking about?
- Don’t Stop – Tereza Lenerová
- Don’t tell me, show me (or how to communicate a compelling story)
- Douglas – Robbie Synge
- Drift (I,II) – Thomas Bîrzan and Mario Barrantes Espinoza
- Elena Sgarbossa: ‘Protecting time so things can emerge’
- Elvedon – Leon and the Wolf
- Embraced by the invisible hands of dance
- Enchanted Reverie in the Dance of Magic and Reflection
- Engel – Marta Alstadsæter and Kim-Jomi Fischer
- English first, English second
- Ensemble – Robbie Synge and Lucy Boyes
- Esercizi per un manifesto poetico – Collettivo MINE
- Everyone who is far from their origin
- Everything is OK – Marco D’Agostin
- F63.9 – Jivko Jeliazkov
- fatigue – Viktor Szeri
- FIELD – Tabea Martin
- Figuring Age – Boglárka Börcsök & Andreas Bolm
- Flesh – Ugne Dievaityte & Poliana Lima
- FOG – Luís Guerra
- Forecasting – Premier Stratagème
- Four shades of silence
- Glimpses and thoughts upon a European Dance Mercat
- Glory Game – Dominik Więcek/ Sticky Fingers Club
- Gran Bolero – Jesús Rubio Gamo
- Guide – Vera Ondrašikova
- Gush is Great – Production Xx
- Happy Hype – Ouinch Ouinch
- Harleking – Ginevra Panzetti and Enrico Ticconi
- Headsets and mindsets: the VR experience at Ljubljana
- Heretics – Ayelen Parolin
- HOLE IN SPACE – Diego Tortelli & Miria Wurm
- HOME – Luis Marrafa
- HOME – Sebastian Abarbanell
- Homo Furens – Plan-K / Filipe Lourenço
- Hope Hunt and the Ascension into Lazarus – Oona Doherty
- How the Land Lies – Laura Cemina & Bianca Hisse
- How to dislike dance
- Hu(r)mano – Marco da Silva Ferreira
- Hyperspace – James Batchelor & collaborators
- Ici je lègue ce qui ne m’appartient pas – Habib Ben Tanfous / Compagnie Finek
- Idiot-Syncrasy – Igor & Moreno
- IHOPEIWILL – threeiscompany & Jaro Viňarský
- In and outside the box
- In the process of becoming an ally
- In tune: on dance, dramaturgy and being happy together
- Intimacy in open air
- Is it what it is?
- Isabel Paladin: ‘Nature has a healing presence. I hope my work reflects that.’
- It wouldn’t be the same without you
- Iterations – Tom Cassani
- Jan Rozman: ‘I am not who I was yesterday, even if the change is microscopic’
- Jean-Yves, Patrick & Corinne – Collectif ÈS (Sidonie Duret, Jeremy Martinez, Emilie Szikora)
- Jordjenta (Soilgirl) – Berstad / Helgebostad / Wigdel
- Jumpcore – Paweł Sakowicz
- Just happy to be here
- Kids – Kuan-Hsiang Liu and Ching-Ying Chien
- Kokoro – Luna Cenere
- Kudoku – Daniele Ninarello & Dan Kinzelman
- Lampyris Noctiluca – Aristide Rontini
- LARA
- Late night diary of a dance festival junkie
- Le Piquet – David Zagari/Hypercorps
- Le Quotidien des Plateaux – a view from behind the camera
- Le Récital des Postures – Yasmine Hugonnet
- Learning From difference
- Let me die in my footsteps – ME-SA / BOD.Y / Renan Martins de Oliveira
- Likes – Núria Guiu Sagarra
- Live! Not To Be Missed. Touring Regionally – Paxton Ricketts
- Long time no see! – Beatrix Simkó and Jenna Jalonen
- Lowland – Roser López Espinosa
- M.E.N – Edhem Jesenković
- Manlike – Milena Ugren Koulas
- Masterwork – Emese Cuhorka & Csaba Molnár
- Material matters
- Matteo Carvone: ‘We’re flying too close to the sun’
- Me Too – Kristin Ryg Helgebostad
- Me, My non-Self and I – Rima Pipoyan
- Mechanics of Distance – Máté Mészáros
- Medium – Rianto
- MEGASTRUCTURE – Sarah Baltzinger & Isaiah Wilson
- Mercedes máis eu – Janet Novas & Mercedes Peón
- Metronomia – Tamara Gvozdenovic & Kangding Ray
- Microworlds – Jazmína Piktorová & Sabina Bočková
- Miss Lithuania – Vilma Pitrinaite / We Compagnie
- Monumental – Martin Hansen
- More than a decade, and still some firsts
- MOS – Ioanna Paraskevopoulou
- MOVEMENTS OF SOUL – YAV
- Movers Platform #3 – Hiraoki Umeda
- Muyte Maker – Flora Détraz
- My dance personality disorder: who wins between the dancer, the spectator and the critic?
- My Four-Star Spring
- Nabinam – Jean-Baptiste Baele
- Naked ambitions
- Nass (Les Gens) – Fouad Boussouf – Compagnie Massala
- NEON BEIGE – Alen Nsambu
- Never ALLone – Matea Bilosnić
- Never Twenty One – Compagnie Vivons / Smaïl Kanouté
- New Creation – Filipe Pereira and Teresa Silva
- No Subtitles, Please: Dance, text, and the art of trusting your audience
- O Death, where is thy spring?
- Ohne Nix – Luke Baio & Dominik Grünbühel
- Old ideas made new
- On engagement
- On repeat
- On the banks of the dance river
- On the dilution of dance
- On the way: from stage to text
- One step before the fall – Spitfire Company
- Open Drift – Philippe Kratz
- Opus – Christos Papadopoulos
- Orchard – Elinor Lewis and Nuria Legarda
- Origami – Compagnie Furinkaï
- Pas de deux – Cie AMA / Anna-Marija Adomaityte
- Patricija Crnkovič: ‘It’s about exploring and finding the edges’
- Pia Mačerol: ‘I experience the world with quite a magnifying intensity’
- Piero Ramella: ‘It’s all about people’
- Places, please, or Would I want to live there?
- PLI – Viktor Černický
- Point of You – Anna Réti & Ricardo Machado
- Press pause to play
- Procession
- Rapunzel – Cie SUMO/Mélissa Guex
- Reck – Botis Seva
- REFACE – Les Idoles (Artistic platform: La Feat)
- Rehearsal on Love
- Relic – Euripides Laskaridis
- Restraint – Lina Gómez
- Return of the hidden woman
- Reviewing the review and the viewer
- Reviewing urban dance tales
- Same difference: on life, death and monotony
- SCARABEO, Angles and the Void – Andrea Costanzo Martini
- Seeking Unicorns – Chiara Bersani
- Shapeshifting – Linda Hayford
- Shiraz – Armin Hokmi
- Silhouette Letters – Artūrs Nīgalis
- Sirens – Emira Goro
- sisterhood practice – The Sculptresses
- Snowed under in Sofia
- Soirée d’études – Cassiel Gaube
- Some Choreographies – Jacopo Jenna
- Somiglianza – Mattia Russo and Antonio de Rosa – Kor’sia
- Speechless – Sofia Mavragani
- Spring Forward 2022: Going Somewhere
- Springback Academy, or How I learned to stop worrying and write 150-word reviews
- Staying Alive – Jasna L. Vinovrski
- Striptease – Pere Faura
- Study 4, Fandango and Other Cadences – Aina Alegre
- Subject–verb: on solos and sentences
- Suiyoubaion – Ayano Yokoyama
- Sujets – Sylvain Huc / Divergences
- Sull’attimo – In the moment – Camilla Monga & Emanuele Maniscalco
- SuperNaturals – ME-SA / Martina Hajdyla Lacová & Stano Dobák
- Swan Lake Solo – Olga Dukhovnaya
- Sync – Anastasia Valsamaki
- Tanzanweisungen (it won’t be like this forever) – Moritz Ostruschnjak
- TARAB – ATASH عطش contemporary dance company
- Taranto aleatorio – María del Mar Suárez, La Chachi
- The angel is in the details
- The Angular Distance of a Celestial Body – Alessandro Carboni
- The best spectator
- the body symphonic – Charlie Khalil Prince
- The elephant in the room behind a plastic bag
- The gender agenda
- The Heart of the Chatter
- The importance of being present
- the pleasure of stepping off a horse when it’s moving at full speed – Courtney May Robertson
- The politics of smiling
- The pure gold is seeping out of me – Renata Piotrowska-Auffret
- The Rest is Silence – Hege Haagenrud
- The Spring Forward 2022 menu
- The times in the place
- The truths of performance
- The universal (English) language of dance
- The Very Last Northern White Rhino – Gaston Core
- The WOMANhouse – Himherandit Productions
- The World of Two
- There is no such thing as a new idea
- Things move but they do not say anything – Poliana Lima
- This is the Title – Ima Iduozee
- Time flies (even in slow motion)
- Time Takes The Time Time Takes – Guy Nader | Maria Campos
- Time travels
- to be possessed – Chara Kotsali
- To Cut Loose – Leïla Ka
- To defy and to define: Spring Forward Festival 2024
- To tease or not to tease?
- touching.just – Aris Papadopoulos and Martha Pasakopoulou
- Toujours de ¾ face! – Loraine Dambermont
- Treatment of Remembering – Sabina Bočková, Johana Pocková, Inga Zotova-Mikshina / POCKETART collective
- Tree forest river sea
- UN/DRESS Moving painting – Masako Matsushita
- V/ertigo – Damien Jalet / Imre & Marne van Opstal / Hessiches Staatsballet
- Valerio Verzin: ‘For many, the arts are not seen as a right’
- Vanishing Point – Dafin Antoniadou, Constantine Skourlis, Alexandros Vardaxoglou
- Virtually there? A ringside seat at Springback Ringside
- Vittoria Caneva: ‘I told my mom that I was feeling the music in my belly’
- Vocazione all’Asimmetria – Francesca Foscarini
- Volitant – Rita Góbi
- Vulture – Ching-Ying Chien
- Warping Soul – Andreas Hannes
- Warrior – Anne-Mareike Hess
- Watching dark matters (Aerowaves: titles and aftertastes)
- Waterkind – Land Before Time
- Welcome – Cie Les Vagues/Joachim Maudet
- What is it all about?
- What lingers
- What’s wrong with a solo?
- When the Bleeding Stops – Lovísa Ósk Gunnarsdóttir
- Where the Boys Are – Yotam Peled & the Free Radicals
- Where’s the space for risk in this scenery?
- Who am I to say? Inner battles of a dancer turned critic for a weekend
- Why am I an avid dance and theatre fan?
- Why Dance Writing?
- Why things go wrong – 420PEOPLE / Sylva Šafková
- Wired – Deyan Georgiev
- Woman – Himherandit
- Words as footsteps
- Work in Progress – Camelia Neagoe
- workpiece – Anna-Marija Adomaityte & Gautier Teuscher / Cie A M A
- WRECK – List of extinct species – Pietro Marullo
- You can’t google that
- Your Mother at My Door – Timothy and the Things
- ZOOM – Taneli Torma
- Тhe politics of dance at Spring Forward 17 – Beauty re-invented
Assembly items
- After words, dance
- An expanded moment
- Anne Lise Le Gac: La Caresse du Coma ft. Yolo
- Aperitivo performances at the Museum
- Art as political strategy
- Ása Richardsdóttir, Director
- Ásrún Magnusdóttir on Listening Party
- Assembly diary #1
- Assembly diary #2
- Awakening buried seeds
- Bára Sigfusdóttir at work
- Brussels Dance!
- Circling traditions: Kartellet’s Danse staur, Danse staur
- Clapping in sync, Hungarian style
- Collective movement(s)
- Counting & crying, silence & glitter: a week at Lyon Dance Biennale
- Daina Ashbee: J’ai pleuré avec les chiens
- Dance dramaturgy: perspectives and backgrounds
- Dance: a universal language(s)?
- Davi Pontes & Wallace Ferreira: Repertório No. 2
- Describe a body
- Don’t look back
- Eszter Salamon: Monument 0.10: The Living Monument
- Florencia Demestri & Samuel Lefeuvre: Troisième Nature
- For an ecology of no guilt: shifting perspective, failing better
- Forms of freedom
- Forum as composting: a nutritious mulch of discourse
- Freedom in rules, rules for freedom
- Go to where the change is happening
- Guilhem Chatir: Vertiges
- Harald Beharie: Batty Bwoy
- Hospitality in a time of crisis
- Ice Hot 2018: it’s a wrap
- If walls had ears and strong opinions
- Ikue Nakagawa: Tamanegi
- In the crossfire between cultures
- In the tub at Ice Hot Reykjavík
- Ingri Fiksdal on Diorama
- Introducing Oriente Occidente
- Keeping your hand on the pulse of the communities
- Kitt Johnson on Mellemrum
- Layers of invisibility calling for action
- Like a guest, like a host
- Lisa Spets & Vigdis Jakobsdóttir: working with young people
- Mirte Bogaert: REtransLATE
- Mónica Calle: Ensaio para uma cartografia
- Notes to self
- Oktoberdans diary: Route 1
- Oktoberdans diary: Route 2
- On looking for joy in the world
- Ornaments of the present: Roza Moshtagi’s Limbo
- Orpheus today
- Out the window, in the room
- Perseverance or persecution?
- Poetry of dystopia: Geir Hytten’s Grief Will Be Our Companion
- Preparing for takeoff
- Recipe for Hospitality à la Biennale
- Saying No: Productive Negation in dramaturgical practice
- Sensorial affects: Mia Habib’s How to Die, Inopiné
- Shantala Pépe: Carcan
- Slow bodies, conflicting minds and emotions
- Slowing down
- Spinning silk
- Springback Assembly at Oriente Occidente
- Springback Assembly, Budapest 2024
- Springback Assembly, Lyon Dance Biennale, 2025
- Springback at CODA
- Springbackers Assemble!
- Still dancing, dancing still
- Taneli Törmä on Classical Beauty
- The answers dance in all directions
- The critic as host. The critic as guest.
- The critic as translator
- Travel derailed
- Trigger-happy
- Tumbleweed: Gyre
- Until we meet again: hospitality in times of collective challenges
- Watch out… for the female gaze
- Watch out… moving beyond the human
- Who is Gaia Clotilde Chernetich?
- Who is Lena Megyeri?
- Who is Robin Lamothe?
- Who will be there to sing the rain song?
- With ghosts in mind
- Writing about disability
- Yeh Ming-Hwa: A Room by the Sea
Alliance projects
- Community, diversity and representation in public space
- Critical Distances
- Czech Dance Platform 2020
- Czech Dance Platform 2021
- Czech Dance Platform 2022
- Dance Context Webzine, editorial residency
- Dance Festival Malta 2025
- How do you spell dance?
- On Record
- Onassis New Choreographers Festival
- Palabras en Movimiento 2017, 2018
- Re-Think
- Springback Exploratorium
- Taiwan Dance Platform
About items
People
- Alexandra Gray
- Alfredo Miralles
- Amit Noy
- Ana Riscado
- Ana Vallejos Cotter
- Anastasio Koukoutas
- Anna Chirescu
- Anna Dohy
- Anna Kaszuba
- Anna Kozonina
- Annette van Zwoll
- Ariadne Mikou
- Bas Blaasse
- Beatrix Joyce
- Berit Einemo Frøysland
- Betina Panagiotara
- Callysta Croizer
- Carl Aquilizan
- Cath Carver
- Charles A. Catherine
- Claire Lefèvre
- Clàudia Brufau
- Clée Jordier
- Dan Mussett
- Daniel Pitt
- Dany Mitzman
- Daria Ancuța
- David Pallant
- Declan Whitaker
- Djalil Sultani
- Dmitrijus Andrušanecas
- Dom Czapski
- Donald Hutera
- Elina Cire
- Elsa Vinet
- Emily May
- Enya Belak
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- Fatemeh Esmaeilghorbaninejad
- Fotis Iliopoulos
- Fox Marttinen
- Francesc Nel·lo Deakin
- Francesca Pinder
- Franek Dziduch
- Gaia Clotilde Chernetich
- Georgia Howlett
- Greta Bourke
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- Hang Huang
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- Inês Carvalho
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- Irina Glinski
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- Jordi Ribot Thunnissen
- Kaliane Bradley
- Karina Buckley
- Kärt Koppel
- Katarina Bogataj
- Kelly Apter
- Kosta Karakashyan
- Laura Cappelle
- Laura Jasmane
- Lea Pischke
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- Liza Weber
- Lizzy Tan
- Lorenzo Conti
- Lotte Wijers
- Louise Tanoto
- Lucia Fernandez Santoro
- Luke Forbes
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- Lydia Wharf
- Marco Pronovost
- Maria Chiara de Nobili
- Maria Palma Teixeira
- Marie Niček
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- Mateusz Szymanówka
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- Nicola Mitropoulou
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- Niko Hallikainen
- Nina Vangeli
- Ola Fraitova
- Oluwaseun Olayiwola
- Omar Khan
- Oonagh Duckworth
- Plamen Harmandjiev
- Rachel Burke
- Rebecca Douglass
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- Róisín O’Brien
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- Sendi Bakotić
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- Suzanne Frost
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